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Why ‘Brands Using Brands’ Get It Wrong. The ‘Win a Prize’ Dilemma

Sarah Dexter, CEO at MullenLowe South Africa encourages brands to give some thought to which brand they partner with. It may prove the difference between a successful promo campaign and one that falls flat.

There appears to be an increasing focus amongst brands these days on delivering short-term results – a desire to deliver the “right” bottom line for this month/quarter/cycle, despite numerous studies suggesting that this is detrimental to the long-term health of a brand.

But let’s not get started on why brands need to take a longer view, as it’s akin to trying to put out a blazing building with a soggy lettuce! Everyone nods when you say it and then proceeds to discuss what promo they’re going to do next.

The case for using other brands

 On that note, let’s rather look at the promotions brands undertake. Some leverage real insight into consumers and brand synergy, whilst others seem to offer prizes they’d like to win, or whatever they think is the “latest” thing, irrespective of the fact that it makes little sense or has little or no relation to the brand in question. NutriBullet anyone?

There’s no doubt that cash is king when it comes to alluring prizes, but where does that leave the brand on promotion? Perhaps it depends on how strong the brand is to start with and the objectives of the promotion.

If the shoe fits……

The current Kellogg’s Win your Share of R100,000” may help convince consumers to buy that box over the Bokomo one in that moment, but does it not actually exacerbate commoditisation of the category? Is it not better, in the longer term, to at least try and link “cash” to something that may have a ‘halo effect’ on the promoting brand? For example, “Win your share of R100,000 in school fees”.

Many brands choose to have an explicit link between promoter brand and prize brand, and one that makes sense. For example, Shell (petrol) + BMW (car).

Hmm…..”Win a car!” – that seems to be a pretty constant form of promo. Think Shoprite Checkers and VW, or Pick n Pay/Unilever and MINI Cooper.

When you use another brand as a prize, you run the risk of the prize brand overshadowing the promoter brand. There is obviously some validity in that concern, particularly when the prize brand has a higher profile. But isn’t that one of the reasons why you choose the prize brand – to leverage its profile and elevate your brand into a similar space?

Defining brand linkages

Some brands deliberately choose a bigger brand as the bigger brand is invariably in a position to offer a very desirable prize. This works when the two brands are talking to the same audience and have a similar world view, even if they aren’t linked in a blatantly obvious way. For example, the Orbit promotion giving away a MINI Cooper. Yes, MINI, again!

Perhaps this is what Dulux was leveraging when it offered up a Volvo as a prize. But it felt odd and the entry mechanics were only displayed in-store. Who in their right mind can remember all of that after loading up and paying for, say, 50 litres of roof paint?

I would be interested to know how successful that promo was. Perhaps it was so interesting to the target audience that they went online to find out how to enter? Although by then, they’d probably lost their receipt or the barcode was on the bucket..…on the roof!

Other brands appear to approach the brand linkage in a slightly more tongue-in-cheek manner – take a bow Durex and its Fitbit Charge 2 promo!

Travel is another common theme. For example, KitKat and its prize of a trip to Japan – with the “take a break” link, I guess? But that’s not without its drawbacks. Some consumers associate the prize destination with the brand’s story or origin – which is often the case – although this has the potential to be confusing.

That being said, travel is often not as desirable a prize as we imagine.

Consumers will always mention holidays and exploration when asked in traditional focus groups, and all the literature talks up the notion of “experiences”, but the logistics can take the joy out of the prize. Many people don’t have passports and the very thought of dealing with an airport can be too much for some.

The winning combo

The bottom line is, there’s no definitive “perfect” promo, but you are far more likely to win with the consumer if:

  • the linkage between brand and prize makes sense (doesn’t have to be literal, but there should be one)
  • the entry mechanics are easy. Really, super easy
  • the prize is interesting and desirable to the audience, not just the brand manager!

Get that right and you’re onto a winner.

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Creative Circle Awards: Ogilvy Wins Big On The Night

Ogilvy took home a total of eight awards on the evening. “We’re honoured to be recognised so generously by the industry,” said Ogilvy South Africa CCO Pete Case. “It’s been a year of tough competition in our industry. We’re especially encouraged to have won in such diverse categories – digital and interactive campaigns, as well as PR, Media, Live and Out of Home. This confirms that our skills are relevant across the modern marketing space, and enable clients to effectively connect with consumers in a multitude of mediums.”

Case congratulated all the winners on the night, especially Group of the Year co-winners TBWA. “Our industry is tough but exciting and we have tremendous respect for all our agency counterparts. Congratulations especially to TBWA.”

The Overall Group award is a vote of confidence in the One Ogilvy process, which saw several divisions consolidated into a single entity, with one point of client contact. Ogilvy recently completed its Next Chapter refounding, expanding its capabilities across the entire marketing value chain through collaborative retail partnerships, growing the PR & Influence capability, and launching the social-media e-commerce division Social.Lab.

The Creative Circle is a non-profit organization that believes in promoting creativity as a business resource, maintaining high levels of creativity in South African advertising and providing input into industry bodies. It aims to inspire the transformation of product, people and perception through the power of creativity.

Ogilvy was recognised for winning work done for a broad range of clients – KFC, Carling Black Label, Kimberley-Clark and DSTV – in categories including PR and Media; Live; Out of Home; and Digital and Interactive.

Ogilvy awards won on the night:

  • 1st Place in PR & MEDIA: Ogilvy CPT – KFC Streetwise 2
  • 1st Place in LIVE: Ogilvy CPT – Carling Black Label
  • 3rd Place in LIVE: Ogilvy JHB – DSTV Halloween Sleepover
  • 1st Place in OOH :Ogilvy CPT – Carling Black Label
  • 1st Place in DIGITAL & INTERACTIVE: Ogilvy JHB – Huggies Baby Marathon.
  • 1st Place AGENCY WINNER: Ogilvy CPT
  • 2nd Place OVERALL RANKINGS AGENCY OF THE YEAR: Ogilvy JHB
  • Tie 1st Place OVERALL RANKINGS GROUP OF THE YEAR for 2018 goes to TBWA SA & Ogilvy SA.
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Assupol celebrates those who serve through new brand campaign

Assupol Life’s new brand television commercial was launched at Nu Metro Menlyn, at an event that was reminiscent of a blockbuster preview. Except at this preview, the cast members of the commercial were pleasantly surprised to see that they were the stars being honoured by Assupol Life.

The television commercial is the evolution of Assupol’s previous campaign, expanding on Assupol’s brand proposition of ”serving those who serve”, and recognising that each individual contributes (serves) in ways as varied as the individuals themselves.

“We developed a commercial that speaks to the fact that those who serve the hardest are hardly ever honoured or appreciated. Which is why we decided to celebrate them in one of the most recognisable and iconic ways used to venerate heroes: Through the raising of a monument,” said Velmah Nzembela, Head of Brand and Communications at Assupol.

The cast members present at the launch were the real-life heroes featured in the new commercial – a firefighter, a nurse, and a teacher by profession. Each of these individuals exemplifies the service that Assupol pays tribute to, recognising that those who serve with the most dedication are hardly ever honoured or appreciated, despite their invaluable contributions to society.

While “service” has been Assupol’s guiding light since its inception in 1913, the latest evolution of the brand expands on this ethos, reinforcing Assupol’s commitment to serve the men and women who work hard to put bread in the mouths of their loved ones.

The new strategic positioning “Serving You In Life And In Death” denotes Assupol’s expansive product offering, which goes beyond just funeral and life insurance products, but is tailor-made for every South African who is dedicated to serving, with all they can, all they have and with all they are.

“By turning everyday people into eternal heroes who deserve a service experience equal to that which they give, we are able to demonstrate that Assupol’s service to them is a celebration of them and what they do. The advert’s overall sentiment is sure to resonate with all of those who fully understand the sacrifice that comes with service,” added Nzembela.

The television commercial kicks-off a holistic campaign which will include digital media, social media and print media.

New media research structures and surveys tentatively embraced by industry

Towards the end of last year, Kuper Research conducted a survey amongst individuals in the media and advertising industry for the Publisher Research Council (PRC). The objective was to determine and measure perceptions of the new JIC’s vs SAARF, and to determine whether new media research is meeting the needs of users and to ascertain what changes can be made to improve its usefulness.

 “The response rate was very encouraging,” states Lauren Shapiro, from Kuper Research. “We received feedback from advertisers, media agencies and print media owners on their perceptions of how the PRC and PAMS are doing. The responses came mostly from individuals with extensive industry experience and with high levels of familiarity with PAMS.  Importantly, around 6 in 10 had actually used the data and were therefore knowledgeable about the usage of the information therein.”

“As a Joint Industry Council (JIC) for all reading platforms we need to know that we are providing the media and advertising industry with research that is credible, useful and that assists planners in making the right advertising investment to maximise returns,” states Peter Langschmidt, consultant to the PRC.

The research highlighted that that the industry is still in transition, with a spread of opinions as to whether the new multi JIC era research is better than the old SAARF days.

The survey also required respondents to assess SAARF vs. the current JICs (where they felt they could), by the elements of credibility of the research product’s usefulness, meeting advertiser needs, communication and industry relations.

“In terms of our primary study PAMS, the readership results are believed to be more realistic and believable than they were in AMPS, which is encouraging as we have put a lot of effort into this, especially with world first measures such as core readers which mathematically adjusts readership overclaims inherent in the recency method,” says Langschmidt.

While there is still some level of discomfort among some agencies with regard to the possibility of bias in media research conducted by media owners, the agencies nonetheless seem to be confident that the JICs are trustworthy and are supplying them with credible data.

One of the most interesting findings, was the definitions advertisers were using to define their target markets. There is a spread between Income, LSM’s and SEM’s. This spread again shows that we are an industry in transition.

“Brand defined target markets are unquestionably the best,” says Langschmidt and will deliver an 8-15% greater ROI to advertisers. “It astounds me that brand defined target markets are only used by 38% of advertisers. Our PAMS survey with a sample of 17,000 and over 3,000 brands is far and away the largest sample with over 2,500 more brands than any other media study in South Africa.

We would like to thank every person that responded. Even though there were some concerns highlighted, we will be addressing these this year. The summation would be “cautious optimism” that the PRC seem to be on the right track, but there is always room for improvement.”

For a copy of this study, or any of the other research commissioned by the PRC, please visit the media library section of the PRC’s website at http://www.prc.za.com/

Digitalisation, Fake News and Integrity: The Changing Landscape of PR Globally

The International Public Relations Network provides global in-sight on how PR agencies are adapting to the new PR trends  

Is PR evolving into a digital only world? According to a recent, global survey conducted on behalf of the International Public Relations Network (IPRN), 58% of PR agencies believe classic Public Relations is changing as digitalisation moves into the communication space.

In fact, 95% of the IPRN agencies now offer a form of digital service through partner agencies or internal teams.  Despite the increase in digital services available, the biggest challenge that IPRN agencies face today is integrating digital communication successfully, with 36% of the agencies agreeing that digital integration is the key to success.

To meet this challenge, the results indicated that agencies worldwide are upskilling their teams and directly incorporating digital skills in their planning. The integration of digital is seen as providing new opportunities for PR; agencies can extend their online reach and capabilities whilst monitoring results to improve reporting and to efficiently measure the effectiveness of PR activity.

Measurability is a key interest for clients
86% of IPRN members stated that their clients expected PR to have a more direct influence on sales; with 89% highlighting clients are interested in the measurability of the impact PR delivers. As the use of digital communication and online coverage increases, the availability of detailed reporting on results will provide agencies with the skillset to highlight the value that PR delivers through the measurement of online reach, tracking and lead generation.

Says Nicole Capper, Managing Director of MANGO-OMC, the South African member of the IPRN: “We have significantly shifted our reporting focus from the outdated mode of AVE’s to metrics that show engagement, reach and sentiment. We also track backlinks from publishing sites and social media to measure impact on client website analytics and have extended this further to incorporate SEO, PPC and digital marketing into our basket of services. It’s not just about measuring PR’s impact on sales, it’s also about showing how public relations content can add significant value to digital platform metrics and the digital brand profile.”

Print is disappearing and fake news is dominating
The type of media used by agencies is changing, with 74% of respondents noticing a decline in earned print coverage vs. earned digital coverage and an average of 50% of publications only being available online.

The online world impacts how content is considered, created and pitched. The space that the online world provides has created a world of fast consumption and high demand of new content online.

However, to meet this demand, there has been an increase in inaccurate, misleading content and false news deteriorating the quality of content online. In fact, the IPRN agencies highlighted that the influx of fake news is affecting trust and reputation, destroying core principles that help to build great client relationships.

This sudden flood of deceptive news, and the speed at which content is shared, has changed the landscape of PR as we once knew it. Nevertheless, the key to successful digitalisation is quality content that the public can trust.

Quality content and the integrity of PR
PR professionals are the content kings, with the skills to create high quality, interesting and ethical content. The digital world can be trusted but authoritative and trustworthy content is crucial to reduce the amount of fake news being consumed.

Says Capper: “We have live reporting that measures the real-time impact of ethical, value-driven PR content on brand website and social media metrics. Digital audiences are increasingly media-savvy and reputable and value-driven content is rewarded by high engagement and interest.  There is a sense that digital audiences are starting to recognise the endorsement that journalistic driven media can bring.”

Despite the changing landscape, 50% of IPRN agencies plan to strengthen the classic PR skills within their business, with press relations, press release writing, feature and opinion leader content and influencer relations playing a key role in verifying the importance of authoritative content and expert media relations.

Luis Gonzalez, IPRN President, explains, “Trustworthy content is more important than ever, the increase of digital and social media calls for quality and credible content. PR Professionals will continue to be integral as content creators. We are the content kings and digital content cannot gain authority without the integrity of PR. The fast growth of digital initially positioned this channel away from traditional communication but the results of this survey demonstrate that there’s no doubt that integration is the way forward and digital communication will find a natural place in the world of PR.”

The IPRN survey scopes further insight into the world of B2B/B2C social media, artificial intelligence and the dark social. To find out more, visit www.IPRN.com

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Amfi Craft appoints Boomtown for debut marketing push

Amfi Craft has appointed Boomtown as lead agency for its global glass fibre and reinforced plastic and polyurethane business, starting with a brief to develop its brand and corporate identity.

The independent agency has been hired with a remit including global brand positioning, integrated communications strategy and creative.

Amfi Craft hasn’t invested in marketing until now and previously relied on word of mouth marketing and referrals. “We’re only one of seven organisations worldwide who ‘do what we do’,” remarks Amfi Craft director, Vaughn Finkelstein. “In our 20-plus years we have used informal marketing to grow, but now is the time to invest in our brand and establish our global footprint even further.

“The Boomtown creative track record and expansive geographic reach will be key to our success as we create a globally relevant brand.”

Andrew MacKenzie, Boomtown managing director, added: “Amfi Craft is a proudly Eastern Cape business that’s competing in a global market. It’s an honour, and tremendous privilege, to partner with a team that has the vision and ambition to enter and compete in exciting markets and understand the power of a brand to do just that.”

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The MediaShop empowers from within

South Africa’s top rated media agency, The MediaShop, is committed to the development of young media practitioners within the advertising space. The agency has been running an effective internship programme for a number of years and also tries to employ all of them on a permanent basis once they have completed the programme. On 1 March they had a new intake of ten interns across their JHB, Cape Town and Durban office.

Ayanda Mda, Park Advertising’s HR Manager, says that the graduates were selected from various institutions of higher learning before going through a stringent ‘Dragon’s Den’ style immersion workshop. Here they’re given a brief to create marketing and media plan which was presented to members of the management team. “From this workshop the top ten candidates were selected to join our programme,” she explains.

“The programme is 18 months long with the first twelve months dedicated to providing training on Media Buying and Planning, Strategy, Intelligence, OOH, Campaign Management and Digital Planning. Coupled with the training there is practical on-the-job exposure in the various business units where they will get to implement what they have learnt.”

Kgaugelo Maphai, Managing Director of The MediaShop Johannesburg adds: “I’m very proud of our intern programme and the fact that our organisation invests in it. Most companies run internship programmes for 6 to 12 months just to tick the box, but we go beyond by running a full 18 month programme to ensure these graduates get the grounding they need to succeed. We also give them a stipend of R7500 which is double what is expected of us. We are proud that our programme has over the years produced many black strategists, planners and buyers in the industry who were initially trained at The MediaShop and we are happy to see them succeed in the respective agencies they now work for.

We also have many interns that have subsequently returned to us because of the great working environment we have created over the years.  Our interns are also mentored by our senior staff who take great care of them and their progress, ensuring our new team members are learning and developing and have everything they need to succeed.”

The agency has several success stories on the back of its internship programme with former interns now permanently employed excelling on client portfolios like Tiger Brands, Nedbank, Multichoice, Famous Brands & Shoprite Checkers.

“Some of our media owner partners will also participate in this programme by providing them with exposure into their operations which will assist them in getting a better understanding of this ecosystem we work in,” says Ayanda.

Kgaugelo adds: “At the end of the first 12 months, successful interns we be placed in various roles within the business, based on their performance and their areas of strength, where they will work for the remaining six months of the programme. We believe we have amassed an amazing group of graduates with various competencies and capabilities and believe we can give them the foundation to develop their career paths by supporting them and giving them as much access to knowledge and tools so they can build sustainable careers within our company and industry.

“The MediaShop is committed to growing and nurturing young talent in the South African media industry and this programme provides a vehicle for us to do that. Implementing an internship is not about ticking a box for us, we are training for the future,” says Ayanda. “We live in a country with a high rate of unemployment and we believe that in our own small way, this programme creates a solution for youth unemployment in the country and contributes to the upliftment of our people.”

The MediaShop Cape Town’s Bonita Bachmann, echoes Kgaugelo and Ayanda’s sentiments: “The MediaShop’s internship programme is an excellent learnership platform – I have found that as early as three months in, interns are refining their communication and business skills, professionalism, reasoning ability and teamwork. The early exposure to professional mentors and line managers provide career exploration and advancement opportunity with constructive feedback and support,” she says.

From the mouths of Interns:

Sinazo Jayiya: Accuracy is very important when dealing with client information, especially money. As well as treating media owners in the way you treat clients.

Nolukholo Ceza: an eye opening experience for me. I have learnt about so many different aspects of media, schedules and chaselists. And sticking to the budget!

Mbali Jonas: I have learnt about sticking to client brief, producing accurate chase lists that correspond with schedules.

Ongiwe Sibahle Mboxela: from the interview with Bonita I have learnt that not everything is about formality, it is more about being ethical and professional, these are some of the values of The MediaShop and with that attitude I have already learnt so much this past week.

Join The MediaShop on Facebook, Twitter or LinkedIn or visit www.themediashop.co.za

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Nfinity Group partners with Brand Game Shows

In an exciting new venture for its stable of media companies, The Nfinity Group, headed by media entrepreneur Ken Varejes enters the Television and Radio broadcast spheres. The company is proud to announce a new partnership with an innovative consumer engagement broadcaster in the form of the Brand Game Shows and its creator Craig Clay-Smith.

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 Nfinity and Clay-Smith share a common vision and passion for media innovation and the Big Brand TV Show together with a new radio extension, The Lucky Listener Radio Show are unique media, with interactive brand focused television and radio game shows, that are synergistically supported with print, and/or online and social media platforms.

 To reach a total cross section of the South African consumer market, The Big Brand TV Show enters the DSTV Bouquet family, featuring six shows a week, two each across the MNET, Mzansi Magic and KykNet channels. Lucky Listener launches on East Coast Radio and Jacaranda, where collectively the two shows will give away over R4-million in cash prizes annually. “We see these interactive, broadcast brands as a perfect fit for our strategic sales mix and vision for unique media solutions that we already offer,” says Ken Varejes, Group CEO of Nfinity Media.

The partnership allows Nfinity Media to leverage their unique sales expertise to deliver highly effective and value-based media packages to the market. The incredible value proposition of the show engages consumers across the entire viewer or listener spectrum when the on-air presenter asks a viewer or listener, targeted, brand or value-centric questions. Correct answers are rewarded with cash whilst simultaneously consumers are educated on the key intrinsic values or sales propositions of a variety of brands.

“The Big Brand TV and Lucky Listener shows make perfect sense at Nfinity as cross-over support for a brand’s traditional media mix, providing engagement, feedback and market intelligence,” says Ken. “The first consumer interaction with the brand for TV is weekly across some of the biggest print titles in South Africa; Huisgenoot, You and Drum, initiating a two-way communication stream.” On radio the shows are driven through the station’s own web site while both platforms are supported through online and intensive social media campaigns.

The Brand Game Show will be represented in Johannesburg’s Nfinity offices by Justin van Alphen, an experienced New Business Sales Developer with more than a decade of experience. Justin has been named Portfolio Sales Manager of the year 2016-2017, Media24 Sales Manager 2016-2017 and Sales Innovator of the year 2016-2017.

“We welcome our latest partnership with Craig and Justin and we know that we have a solid and innovative offering that brands haven’t truly maximised yet on TV and radio,” says Ken.

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The Internet Is Sadistic

At The Jupiter Drawing Room CT, we’ve made a few observations about the Internet. Some of these observations will not be new to you, but here goes:

  • The internet is a made of every demographic imaginable every group, every niche, every massive collective.
  • Within this collective, we are all still humans and humans have certain quirks of interest, certain things that appeal to our base instincts.

  • So for example: People like naked people, that’s why porn is so popular. Surprise!

  • Most people love animals, just look at all the puppy and cat videos. Awwwww.

  • People are self-obsessed and celebrity-obsessed. Social media shows us this every day. Just look at Kim, Khloe, Kourtney, Kendyll, and Kylie. If you recognise any of these names you’ll know what I’m talking about.

Our client Webafrica is the leading internet service provider that loves to cause kak and give people fast, affordable internet. They have a knack for having a simple message delivered in an interesting way.

Lucas van Vuuren, executive creative director at Jupiter CT says for the latest Webafrica campaign, the agency leaned straight into another internet insight that humans bizarrely like to see people in pain.

“For our latest campaign with Webafrica, we decided to run with this ‘pain’ insight, so we decided to up the pain with a pre-roll ad that tortures our brand mascot, Will, to get a secret out of him. The ad shows Will being electrocuted for almost 3 minutes. In this time, he confesses everything you ever wanted to know…and even things you didn’t want to know.”

The ad went live on 1 March 2019, and so far the data shows that most people watch the video up to the point we stop torturing the character at 1 minute 56 seconds.

“ At the same point that the torturing stops, the interest drops. This is fascinating, but not surprising if you look at the amount of fail videos, car crashes, beheadings and all the other bad or awkward stuff on the internet and the amount of views and attention they get.”

2 years ago, Jupiter CT produced another Webafrica ad that was designed for Youtube.  The agency played with the fact that viewers could skip the Youtube ad after the 5 second countdown. “We counterintuitively made our ad almost 3 minutes long and all it showed was our brand mascot skipping and waiting for – no, actually, begging – the viewer to push the skip button.”

“The audience seemed to enjoy the fact that this poor guy was skipping and getting more and more tired as the ad went on. It seemed the viewer enjoyed seeing this man suffer – there’s that ‘pain’ thing again. The average viewing time for this pre-roll ad was 1 minute 24 seconds, and we now know that people are slightly sadistic.”

So in conclusion, people are pervy, cat-loving, self-obsessed, torturous creatures that like their internet fast, cheap and slightly controversial. Good to know.

For more information on The Jupiter Drawing Room Cape Town, visit the website and to find out more about fibre being cheaper than ADSL, head to Webafrica’s website.

 

 

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Ads24’s Kuier community: Friends, who read together, stay together

The literal translation of the word kuier is “to visit”, but the actual meaning carries far more weight and is a versatile Afrikaans word, meaning getting together for meaningful conversations over coffee, a meal, a braai or perhaps a few drinks. It’s a word that carries the notion of warmth, family and friendship that endures over the years.

     

As South Africa’s largest women’s magazine and 2nd largest overall, Kuier embodies this sense of community through its mix of content that offers advice on everything from parenting and finance to fashion and health. It inspires South African women through motivational stories of people who have overcome the odds to achieve success and serve as role models for others.

At its essence Kuier aspires to personify Pride, Elevation and Progress, says the publication’s editor, Kay Karriem. “We encourage pride and self-acceptance in every facet of our readers’ lives. We want them to feel they can express who they are and still be accepted and acceptable.

“In terms of passion, It’s all about the positive energy and attitude we bring to everything we do in our lives and how we interact with the world. Progress, meanwhile, represents our belief that everything is possible. Through our features we want to show readers that no obstacle is insurmountable.”

Kuier was originally conceived as a title to fill a gap in the market, namely a Coloured, Afrikaans female readership mostly based in the Western Cape, however the publication has grown organically to appeal to a wide range of South African and Namibian readers, who share solid family values and are looking for practical and realistic advice to navigate life – all at an affordable price.

Many forms of social engagement

This sense of shared ideals and community carries through to the popularity of Kuier’s various platforms which encourage interaction and feedback from readers.

“Our engagement with readers on social media is truly amazing and of course they write to us and send us text messages. But what really sets Kuier apart is that our readers know our writers and staff by their first names. It is not unusual to be on a train or bus and have someone talk to you about the latest issue. Our events are in high demand and hugely successful and almost always sell out within the first few days of the tickets going on sale – with the fastest sell out happening within 10 minutes for one of our Mother’s Day events (and that was more than 400 tickets),” says Karriem.

Community, content and creative advertising

For brands, Kuier’s strong sense of community provides an opportunity for close engagement with its readers across its print, social and TV platforms. Interestingly, when it comes to Kuier, print is an incredibly strong platform for longer term engagement.

“This market wants something tangible to call their own and they also believe in collectables (which is hard to do with digital) so they can show everybody how many issues they have,” says Karriem.

This tactile approach worked well for Robertson’s Spices recent drive to reach the Western Cape market. Kuier came up with a multi-platform campaign that included an advertorial series about the product to educate readers about the origin and quality of the spices.

This was followed up by a collectable recipe card series as well as a number of cooking demonstrations.

“The key differentiator was that we were able to find the perfect personality to headline the campaign – Cass Abrahams,” says Karriem. “This is a proven example of how we were able to use our in-depth knowledge of the market and influence to put together a winning campaign. As a result, Robertson sales in the Western Cape increased significantly.”

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