Open post

Are you ready to reach your future customer?

Is there any value in comforting your customers today with nostalgia from yesterday when their choices are naturally evolving at the rapid pace of a vastly shifting world around them?

Gareth Grant, Business Unit Head at The MediaShop, questions how best to future-proof a brand’s message to a post 2020 customer base.

In the current ever changing and growing market, there are some challenging questions that brands need to be asked. Marketers want their customers to want their products, but are they really talking to and engaging them?

It is important to consider whether customers are receiving brand messages in a way that holds enough meaning to potentially influence their behaviour. And if the message is being received, is it getting through in a way that works for your customer now and in the future?

Emerging from a global recession creates opportunity to rethink strategy. The tide is set to turn again, as it does, and the market could boom or we should at the very least see an upswing. But with this turning tide, we also face a new-age society. The industry is humming with buzz-words like “disruption”, “millennials”, “Gen-C” and “Artificial Intelligence” because these are the very factors demanding that we rethink strategy.

The post 2020 consumer base – the inhabitants of the new-age society; are not as concerned with brand heritage stories as they are with real-time solutions and services that ease the mundane daily load and allow for an easier life experience.

Cue Apple’s “Siri”, the Google Assistant and Amazon’s “Alexa”. So here we are, trying to engage with this post 2020 consumer, trying to disrupt enough to get some attention but not necessarily with a product that can include the best of AI such as Siri and Alexa.

Every business in each sector still needs to find ways to engage their audience though and I believe the key is to look at the relevance of the message as well as the means of communicating the message. We know the customer pool is bigger, younger and bolder than ever before. We know that they are all connected and that technology and social media are at the hub of the inhabitants of this “new world”. My colleague at The MediaShop, Richard Lord, wrote a very interesting article on the social media angles just recently http://www.mediashop.co.za/blog/item/256-are-foogle-the-enemy

To my first point – is the message itself relevant? The post 2020 consumer wants value-add so brands should ensure that the message communicates that. Disruption is a requirement to catch attention but attention span is a valuable commodity these days and so it is imperative that the message is made clear as soon as possible.

When I think of the current and future society, I have a laugh at the old joke about the “3-second rule”. In my circle if anyone dropped a morsel of food but managed to pick it up in 3 seconds or less – it counted as being still edible. This rule also applies to messaging – if your message manages to hook attention in 3 seconds or less – it is relevant. If not, your customer has moved on – moment forgotten, message? What message?

If this is the current landscape, then surely as AI and technology make life more streamlined and experiences more convenient every day, the demands on messaging are sure to increase.

To my next point though, how the interesting and relevant messaging is delivered needs to ensure that it is seen by the relevant eyes at a time and place that is as meaningful as the message itself. New digital platforms are constantly sprouting in the online landscape and whether a business is operating in the online space or not, leveraging this is essential.

Traditional platforms still show some return but continuity is absolutely required. A golden thread running through all platforms needs to be created in order for the consumer base to have multiple interactions with the message. The concept of “experiential” contact needs to be turned inside out and reinvented so that consumers experience a brand’s message in ways that are relevant to this time where the landscape changes literally from day to day. Consumers are selective to what content they consume and we need to talk to them in moments which matter to them in order to have their attention.

I say let’s do our best to engage on every platform, create a golden thread that runs through all points of engagement and get creative about the future. Let’s imagine the science fiction version of our audience 12 years from now, using current statistics pulled from the last five years, we can get as creative as we like in imagining the version of our audience in 5 and 10 years from now and we will more than likely still be hitting a conservative version.

So many questions and so few answers, I know. So then, just as inventors in every field scratch their heads at a challenge until a totally “crazy idea” provides the answers (think Edison, Newton and Musk), advertising and marketing needs to try some crazy ideas to get the message out there in a meaningful and engaging way. Let’s go! To Infinity and Beyond!

 

Vega hosts Open day

Vega, a brand of The Independent Institute of Education (The IIE), will host its next open day on Saturday, 4 August 2018.

Vega invites learners, parents and working professionals to attend its next open day for the year, taking place at Vega campuses nationwide on Saturday, 4 August 2018. The open day will give prospective students and their parents an overview of what campus life is all about, as well as valuable insight into the many higher education qualifications available to study at Vega.

Open days at Vega are structured to make it easier for parents and students to meet with lecturers, principals and current students to ask questions and get a feel for the Vega way of life.

“Vega is a learning environment quite unlike any other in South Africa. We pride ourselves in providing students with challenges that allow them to showcase their acumen, creativity and ingenuity on engaging real-world campaigns, such as our famous annual Vega Brand Challenge.” says Nicky Stanley, National Marketing Manager at Vega School.

“These open days allow prospective students to experience first-hand what our campuses have to offer, while providing context into the various IIE qualifications available to study at Vega, and allowing them to engage with lecturers at Vega on a one-on-one basis.”

Popular afternoon drive radio hosts Greg & Lucky from 947 will be visiting the Vega Johannesburg campus on Saturday. For anyone interested in this and any other upcoming Vega events, like Vega School on Facebook or visit their website.

 

Date: 4 August 2018

Time: 09:00 AM – 13:00 PM

Venue: Vega Campuses nationwide

Cost: Free

Open post

Popular FCB ad campaign wins again

 

These three radio ads from FCB Africa agency, 1886 Advertising, took a Radio Campaign Silver Lion at the Cannes Advertising Festival this year, proving that great creative ideas have the legs to go the distance, year after year.

The campaign, for Cell C Surance, initially broke two years ago. It used a reworked version of ‘Amagugu Alelizwe’, a well-known, traditional South African hymn sung at funerals, to show that you don’t have to mourn the loss of your cellphone.“The idea was to juxtaposed the sombre nature of the song with fun lyrics about how our different characters came to lose their cellphones. Each spot represents a different aspect covered by Cell C’s C Surance,” explained 1886 Chief Creative Officer, Stuart Stobbs.

“When it was launched, the campaign received many positive reviews; so we extended the campaign. And we’re excited with how it has been received by audiences.’

“And our showing at Cannes proved the Cannes judges loved it too. ‘iGugu Lebo’, ‘iGugu Nomsa’ and ‘iGugu Siya’ did us proud. Thanks again to Cell C for believing in great work”

Listen to the three new radio ads here:

https://youtu.be/4j16pkUvBIs

https://youtu.be/g4yp9yR–Vc

https://youtu.be/cUFnS9vM76U

Credits:

Client: Cell C

Creative agency: 1886 Advertising, an FCB Africa agency

Chief Creative Officer: Stuart Stobbs

Creative Director: Warwick Rautenbach

Copywriter: Ruby Fourie

Production house: Rob Roy

Open post

When it comes to marketing, you should try playing pinball

“Wherever I click, tune, drive or page, there’s an ad being rammed down my throat!”

This was the view of a product manager at a recent client meeting I had and, in essence, I agree. There is a lot of noise in the market at the moment. With consumers being constantly bombarded, is it causing them to tire of marketing? The conversation swung to pinball marketing and the explanation around it got heads nodding in agreement.

There is a traditional way of doing marketing – it’s likened to going bowling. The bowling ball is your marketing channel and your audience are the pins. You throw the ball as hard and straight as you can, in the hope that it will hit your target. But the purchasing journey isn’t a straight line anymore and neither should your marketing be. Marketing today is actually more like a game of pinball.

For the pinball metaphor, the machine is our current environment, the balls are marketing instruments and the audience are spinners, bumpers and flipper bats that propel the ball away on contact. Compared to bowling, where the “pins” had no power to make an impact, the “audience” here can actively take part – redirecting the ball or causing it to speed up, slow down or even stop.

We have to go where our markets are (email, Facebook, Twitter, etc.) and create relevant content, experiences and platforms, where they can engage with us.

Here are three ways to play pinball marketing:

  1. Be an active player

As a marketer you can no longer simply roll a bowling ball and wait for it to hit your target, you must actively take part. Test multiple channels, run multiple campaigns and measure your campaigns to see how your audiences are responding to your content. It’s essential to see what works and learn from your successes and failures.

  1. Keep up with the pace

In the same way that pinball is played at high speed, you have to keep on your toes and continually monitor the vast multimedia content produced by consumers, and you must take action as a result of it. But your job doesn’t end after you’ve uploaded a new social media post or issued a new press release – you need to carefully follow its course, measure its impact and then identify any trend or crisis.

  1. Be ready to act

If you don’t move fast enough in pinball – you lose – and it’s the same with marketing. Monitor your audience and be ready to respond to them. There is a world full of consumers who have access to social media platforms, where they can share their negative experiences about a company’s goods or services, and these comments can quickly escalate into a crisis that threatens the brand. Be fast but think before you act. Be strategic and ensure that you integrate brand management with individual customer management.

In this chaotic, interactive world we live in, your marketing needs to move from bowling to pinball. Not only will this help you recognise the increasing power of the consumer and embrace the co-creation of brand stories, but you will also see a deeper engagement with your market. When you see the value of a multi-channel campaign and start understanding how it all complements each other, you will start to reach that top score!

Open post

British Airways converses with Consumers via Airport Ads’ Visionet

British Airways is showcasing it’s unique offering via Airport Ads’® highly visible Visionet digital billboard at King Shaka International Airport.

The large-format Visionet™ digital billboard is located in the bustling domestic departures area at King Shaka International Airport, offering prime real estate for advertisers wanting to communicate with a highly desirable upper LSM market.With close to half a million passengers passing through the airport each month, the digital billboard offers the perfect platform for the advertising of luxury brands, services and products that would be of interest to the leisure and business traveller market.

In line with global trends, advertising in the airport environment has become a key element within the marketing mix aimed at the upper income bracket.  And, concurrent with other OOH environments, Digital Out of Home (DOOH) has become increasingly popular within airport precincts. The global trend towards making use of this highly effective advertising medium points to its relevance and immediacy. It reaches travellers poised to engage with, and purchase, products and services that are significant to their lifestyle.

For more information on how Airport Ads® can help implement strategically impactful DOOH campaigns that target an upper income audience, contact Antoinette Abrahams on 0861 776 826 or antoinette@provantage.co.za or go to http://www.provantage.co.za/airport-ads or @Airportads_

Open post

Andre de Jager: Young creative on the move

André de Jager, a semi-finalist in this year’s Adobe Design Achievement Awards, is one half of the creative team behind SMILE, a campaign aimed at driving social change among South Africa’s youth.

As a former student of Vega (a brand of The Independent Institute of Education – The IIE), de Jager took part in the 2017 Vega Brand Challenge which sparked the idea to create a campaign that encouraged young people to do more for others. Along with his ‘partner in crime’, Ayesha Kaprey, de Jager entered his 2017 Brand Challenge submission into the 2018 Adobe Awards, and was subsequently chosen as a semi-finalist in the internationally-recognised competition.

Give us a run-down of the SMILE campaign you developed?

Operation Smile approached us to help make them relevant to the next generation of donors. They wanted young people to be passionate about their brand and, of course, to donate and help. We first interrogated the relevance of ‘help’, ‘donation’ and ‘involvement’ in terms of brand building. We figured through our research that people do care about the issue, and about helping, but that there is no ‘cool’ or relevant way to participate or donate.

So, we created a new project called SMILE, a project that champions the simple power of a wide grin. We wanted to create a product that adds value to the lives of the donors – we wanted to add value to the experience of doing good. A positive turnaround of “what’s in it for me” to “I do this for them and myself”.

Whether that’s a t-shirt, some sweats or whatever’s trending, donations and goodwill are built into the price of every item. We defined modern goodwill as a place where you can do good, look good, and feel good. Being a good person can be a part of your aesthetic. We created an evolving brand identity that can easily move and shift with the tastes and trends of what’s cool now – because how do you keep up with the kids? You go on the ride with them!

 The idea of a ‘shifting’ brand identity is intriguing – how did you (and your team) come up with this?

We’re trying to compete in a space where memes and selfies – not brands – get a million likes. Creating an evolving brand was key to our insight that our audience’s tastes and attention shifts from scroll to scroll. We had to create a project that could shift with them.

 Take us through some of the elements you chose to include in the campaign and why?

The campaign was centered around the way we use our phones. From scrolling for aesthetic, to online shopping to using services like Snap-Scan to pay for things in real life.

All of our touch pints included personalized Snap-Scan QR codes that you use to get money donated through your personal account.  This dovetails into the reward mechanism we use to encourage people to get others to donate through their account. Get others to scan your personal code on the products you’ve purchased and received from SMILE and then you get rewarded.

 What sort of research was conducted ahead of this project?

We went out to do field research and approached our peers with the same questions we’d ask ourselves – why would you donate? They all cared, but none of them knew how to help. The old way of helping and donating has become outdated and inaccessible, because traditional philanthropy asks for a combination of time, money and effort. Our target market have none of that – all they have to give is their voice and aesthetic.

Our research deduced that their apathy is a symptom of brands that were totally out of touch – I wouldn’t go out of my way, I won’t ruin my aesthetic etc. The ME-generation do care! Donation has become an inaccessible and tedious activity.

What was the most challenging part of the project for you?

The most challenging part was balancing SMILE on top of representing Vega at the Loeries with a two-week deadline to create and package the whole project!

… And the most rewarding part?

I’d say the same for any project – it’s always great to see things come to life and to see others get excited about it.

Everybody just wants good vibes, and I’m a sucker for pleasing people – whether that’s a good Instagram post or a campaign for change. Causes have a true purpose, beyond ‘the brand’, and this makes them fun to work with – both for the process and the results.

Did you take any new learnings from the experience?

Every project comes with new challenges! We had to figure out how to brand clothing, and then we had to figure out how to make it look good. A t-shirt is a very awkward shape to make look good! We spent a whole night in the studio just figuring out our lighting and editing style.

Where to from here?

My partner in crime, Ayesha Kaprey, and I have our heroes we look up to, and one of those are KesselsKramer in Amsterdam. They’re the OG sardonic ad-agency that Ayesha and I dream / have nightmares about working for. At the end of our student career we sent them a box with our portfolios and cv’s, along with an Afrikaans dictionary, our own version of their Useful Photography books and some Chappies. They really enjoyed our application and invited us over for an apprenticeship as a team! We’re starting our work there in January 2019.

For more information on IIE qualifications available to study at Vega and other career-building opportunities, visit www.vegaschool.com.

Open post

The importance of the digital in-store experience

 

By Cecil Ungerer, Chief Sales Officer of in-store advertising innovators Smart Media

Even though e-commerce has become an increasingly popular consumer option, improving the in-store customer experience is more critical than ever. This ‘last mile’ presents brands with a final opportunity to either trigger a purchase decision or change future buying behaviour. In South Africa consumers visit malls as social activities, and many consumers still want to touch and feel products before making a purchase decision, even if that occurs later online. In fact, embracing more impactful in-store marketing assets should become a priority for brands and retailers looking to differentiate themselves.

With retail stores under pressure to increase footfall and sales or risk job losses and potential closures, both retailers and brands are increasingly turning to these innovative in-store solutions as the means to attract customer attention and retention. Today’s consumers are rapidly embracing digital activities and this change in society behaviour has impacted not only attention spans but more importantly, what now grabs and maintains attention. This makes leveraging digital in-store solutions a logical next step.

A key question arising around the use of media like window and digital displays, dispensary posters, and till point signage is, ‘how do brands make these visuals count and ensure a response from shoppers’? While there are different approaches, ultimately the consumer must be impressed by both the display and messaging at a critical point in their decision-making process, reinforced in specific areas of the store. Attracting attention during these moments that matter is our ultimate goal.

An example of media innovations to attract attention is an alternative platform we’re currently testing, 3D Holograms. These are not small hologram display stands on countertops or FSUs, rather they’re large-format rotating experiences that literally stop shoppers in their tracks. We’ve noticed shoppers taking photographs and filming these displays in-store which indicates we’ve found not only an engaging noticeable medium but more-importantly one that is now translating to online conversations through social media sharing and creating further conversations, with the brand on display at the heart of the conversation.  This is the talkability and buzz we aim for our mediums to create.Shelf life

An important component of the buying experience is on-shelf branding, as this is where a lot of last-minute consumer decisions are made. A loyal repeat purchase for a loved brand versus trying something alternative or new. For brands attempting to convince consumers to try their product, we have an answer to what to do in this key space.

Enter the Digital Shelf Strip, these electrifying multi-screen strips first and foremost grab consumer attention with motion, colour and potentially sound. Video has become a core focus in all marketing activities due to its story-telling power. Human beings like stories and videos convey a story better than any other medium. The ability to transfer a lot of information, easily and quickly is something a static print ad struggles to do. By no means is print not valuable in reinforcing messages, video is just proven to be more powerful when the placement and timing is correct.

Our Digital Shelf strips provide more product information to customers in key moments that matter, giving the brand an opportunity to extract or reuse content already created for television or digital marketing, extending the association shoppers have with a product to the on-shelf retail environment closing the loop and proving a truly 360 degree experience. Many consumers now research and compare prices online but purchase decisions still have the ability to be in the moment. In-store must therefore significantly entice purchasing decisions and we believe that our Digital Shelf Stripsdo this more effectively than any other on-shelf branding on the market.

Mobile done differently

An alternative to using a mobile device is to leverage trolleys and baskets. Digital screens on trolleys have been used in some countries where RFID chips localise ads depending on the physical location of a customer in-store. However, one of the challenges in the local market is that shoppers are used to leaving stores with their trolleys and loss of these digital assets can carry a high cost. Connecting consumers using their smartphones with geo-location currently carries too many challenges in the South African market particularly the high-cost data barrier.

This may negate the benefits of using mobile displays in a store-specific environment however our mobile advertising trolley and basket frames are ideal if a brand is aiming to increase awareness and reach. Mobile advertising solutions travelling with shoppers throughout the store and mall environment has unlimited potential to share a message travelling with a potential “advocate”.

Combating shopper fatigue

Seasonal campaigns like Christmas, Easter, Valentine’s, and the like see brands do a big push integrating various platforms for a seamless customer experience. Retail windows are curated to lure customers into the store. However, as campaigns seem to start earlier every year, brand managers need to find a way to manage shopper fatigue and budgets.

For example, many retailers started their Christmas campaigns last year in early November. Expectations are that this will shift earlier to October for 2018. While there is a lot of innovation taking place around in-store displays and window branding, there needs to be a balance between starting campaigns earlier and keeping the attention of consumers. There is a need to create interesting brand messages that can be used for prolonged periods of time. Again, this is where the in-store digital experience is vital as it can easily be remotely managed and updated in real-time to refresh content and avoid messaging getting stale.

The era of digital

In-store digital displays enable a more agile advertising environment with brands being able to make changes to their content instantly. This completely negates the logistical challenges of changing 50 store-front windows as campaigns end. Imagine using large digital displays to manage and update content from anywhere, at any time.

Not only reducing costs and lead times but also enabling retailers to run a diversity of campaigns during the same period. Furthermore, in-store digital displays give rise to targeted audience bursts or specific timeslots applied to target audiences, opening the door for data-intelligence backed campaigns.

There are many exciting in-store innovations in the pipeline especially with brands and advertising specialists having access to more detailed data analysis. The modern retail environment is becoming more intuitive to specific customer interests and needs. With this shift, Smart displays perfectly compliment the traditional mediums we know and love.

Open post

Madex and Markex 2018: building the branding conversation

The second annual Madex show, the ultimate marketing, advertising, design, social media and all that good stuff expo, recently provided solutions to the challenges faced by marketers across all industries, helping to breathe life into stale campaigns and put a shine on new strategies.

Co-located with Markex, Africa’s premier promotional product event, now in its 31st year, the two expos delivered the A to Z of marketing, covering all things below- and above-the-line.

In combination, Madex and Markex 2018 attracted almost 6,000 visitors, drawing in thousands of promotional product resellers, as well as representatives from the advertising, publishing, events planning, PR, packaging, technology, hospitality, industrial, financial services, and entertainment sectors, to name a few.

“Once again, we saw massive interest in our two seminar theatres, The Fundamentals, which targeted those starting the climb up the marketing ladder, and The Marketing Academy, aimed at honing the talents of those more senior professionals,” says Nick Sarnadas, Portfolio Director at Specialised Exhibitions Montgomery.“Many of our more than 50 content sessions were filled to capacity, and included presentations by John Vlismas, Jodene Shaer, Femi Adebanji, Chantelle Booysen-Fourie, and Mike Sharman, as well as many others. This serves to underscore the fact that local marketers are hungry for expert content, which we believe is a major drawcard for Madex and Markex attendees.

“A panel discussion on using promotional products during tough economic times drew in a sizeable audience. This discussion was hosted by veteran journalist, radio host and television presenter Jeremy Maggs, and featured experts from Markex headline partner Barron, a corporate and promotional products company, Specialised Exhibitions Montgomery, and life insurance provider Yalu.”

In addition to the on-point sessions run within the seminar theatres, viewers were treated to a sneak peak of the winning South African entries of the Cannes Young Lions competition 2018, as well as South Africa’s Best Liked ads of 2017 by Kantar Millward Brown.

Looking at attendee statistics, Madex 2018 saw 84 international visitors, from African countries including Angola, Botswana, Lesotho, Malawi, Mozambique, Nigeria, Swaziland, Zambia and Zimbabwe. Of the expo’s total audience, 40 percent were between the ages of 25 and 34, 26 percent were aged 35 to 44, and more than half held senior management positions. Furthermore, 86 percent of the visitors are in positions to make or influence purchasing decisions.

From a Markex 2018 perspective, over fifty percent of visitors were between the ages of 25 and 44, 45 percent were senior management, and 93 percent make or influence purchasing decisions. There were 2,230 Trade Only attendees, 33 percent were first-time visitors to the show, and 240 arrived from beyond South Africa’s borders, including 15 African countries.“Our social media platforms, both before and during the shows, highlighted the fact that these channels are critical for engagement with Madex visitors in particular,” Sarnadas explains. “Thanks to our attendees sharing their experiences at the show, #Madex2018 trended three times over the two-day show. We also welcomed eight ‘influencers’, who played a critical role in our extended reach.”

Madex and Markex 2018 featured an interactive exhibition floor, showcasing more than 100 exhibitors covering an array of marketing offerings, from corporate gifting and branded goods, to a variety of value-adding services.

“We also received fantastic support from the industry’s associations, including MASA (the Marketing Association of South Africa), PRISA (the Public Relations Institute of Southern Africa), SAFREA (the South African Freelancers’ Association), EXSA (the Exhibition Association of Southern Africa) and AAXO (The Association of African Exhibition Organisers),” adds Sarnadas. “In fact, we celebrated Global Exhibitions Day (#GED18) on the first show day in conjunction with AAXO and EXSA, launching the first Exhibition Games competition.

“With a New Product Display dedicated to the hottest promo products for viewing, fun additional features for the shows included a Doodle Wall, which was filled with people’s thought and artistry at the end of each show day,” he concludes.

Madex and Markex 2019 are set to take place on 5 and 6 June 2019 at the Sandton Convention Centre. Visit www.madex.co.za or www.markex.co.za for more information or to book your exhibition space!

Open post

When Death Calls

Sooner or later, death will call on every one of us and yet it is hardly the go-to conversation with friends and family, making it even more difficult to discuss with complete strangers – which is why Old Mutual decided to get expert advice on marketing its funeral policies in a way that not only entertains consumers but informs and educates them too. Enter Creatrix – the storytelling  and branded content specialists.

 Creatrix founder Lynn Joffe says death in the African context is a long process of rituals and mourning practices that can be costly for the average family and yet most people do not adequately prepare for their funerals, nor do they write living wills. This unwillingness to recognise death as an inevitable reality leads to problems of both a financial and emotional nature for the living.

Creatix’s brief was to solve this personal dilemma by creating a radio drama that resonates with listeners and positions the trusted benefits of Old Mutual Funeral plans.

Joffe says the nature of the brief naturally led her creative team to propose taking listeners on a story-telling journey of the tragic fate of Sophie and her family – think Shakespeare meets ‘Kasi kulture’ – in a series that tells it like it is, referencing the memorable titles of classic South African and sub-Saharan soapies and novels.

A devoted mother dies on the eve of her daughter’s wedding. The spectre of death hangs heavily on the entire family. On discovering that her mother’s funeral plan was still under a waiting period, the daughter offers to donate her wedding budget to her mother’s funeral.

The grief and drama is played out as the family deals with the loss of a loved one. The family patriarch has been living a lie, an abandoned child emerges, and a secret life is unearthed. All these nasty truths – and more – bubble up and spew over in all sorts of excruciating ways. Old family secrets burst forth and new family scandals arise; there’s denial, anger, bargaining, depression and eventually acceptance.

 

“The dramatic conflicts create plot twists with Old Mutual financial education learning outcomes being emphasised by the narrator who offers listeners her life lessons. The Old Mutual key product benefits are interweaved into the plot and add to the overall ‘real-life’ story.”

 “When Death Calls” takes listeners on a six-week journey. In each week, listeners follow the healing process of this structure; a universal psychological glyph for the way we humans process death. “When Death Calls” entertains, educates and empowers listeners with a culturally resonant story and amplified engagement touch points.

“This is not just entertaining. Not just product. It’s educational. Empowering. The key message is strong and impactful driving listeners to react, think and act. The call to action is embedded in the character of the main narrator as well as the title.”

The series is broadcast across six ALS – Thobela FM, Lesedi FM, Motsweding FM, Ligwalagwala FM, Umhlobo Wenene and UkhoziFM.

Open post

Sweet! Gen Next gives Engen the Thumbs Up

Engen has again been voted the “Coolest Petroleum Brand” in the Sunday Times Generation Next awards. This is the ninth consecutive year that South Africa’s youth have backed Engen, reaffirming the company’s uncontested brand leadership and market strength.

 With youth development playing a central role in Engen’s social investment, and sponsorship initiatives, the company remains dedicated to positively engaging and contributing to the future self-sustainability of young South Africans. This is done primarily through the Engen Maths and Science Schools, Engen KlevaKidz Paraffin Safety, and the Engen Knockout Challenge youth soccer development initiative.

 Seelan Naidoo, Engen General Manager: Retail says the results of Sunday Times Generation Next validates Engen’s presence, investments and marketing focus. “We are honoured to once again receive this award and want to thank our young customers for choosing us as the ‘Coolest Petroleum Brand’. While it is evident that we are staying current in today’s market, we remain humbled by the award.”

 While Engen continues to have the largest service station footprint in South Africa, the company’s constant innovation and customer service focus places it ahead of the pack in brand recognition and loyalty across all audiences. 

 “Engen is very excited to see our network flourishing. Convenience and customer service remain key determinants of success in our industry. Last year we opened 10 new service stations and we are planning another aggressive new site programme in 2018,” says Naidoo. 

“Staying relevant is a priority and we continue to focus on consistently reinvigorating the brand and investing much effort into remaining an attractive stop-over for youth. As a brand, it is important for Engen to move into exciting, innovative spaces where we can engage customers and interact with them.”

 Looking ahead, Engen will continue to focus on the rollout of signature convenience offerings across its network, including fast food and restaurant partnerships, Wi-Fi, alternate payment partnerships and a range of other exciting innovations.

On the fuels front, Engen’s advanced energy formula Engen Primax Unleaded continues to provide superior performance and economy to motorists.

“In developing our next generation fuel, we commissioned research into the South African fuels market to ascertain what really matters to our petrol customers,” says Naidoo.

Reformulated Engen Primax Unleaded provides motorists with technology that cleans the engine, enhances fuel combustion, and improves drivability.

“All these features contribute towards providing superior performance and fuel economy compared to previous formulations,” adds Naidoo.

The Sunday Times Generation Next is the leading annual youth brand preference and consumer behaviour survey. It tracks consumer behaviour and preferences of South Africans aged 8 to 23 – a highly influential segment of the market.

Posts navigation

1 2 3 4 5 6 7 8 9 10 11
Scroll to top